online papers_software_research

Guedes, C. (2005). Mapping movement to musical rhythm : A study in interactive dance. New York Univ., Ph.D. Dissertation.

the link: http://perso.orange.fr/gmem/smc06/papers/4-Guedes-ExtractingMusicREV.pdf

http://www.informatik.uni-trier.de/~ley/db/indices/a-tree/m/Modler:Paul.html link to the Paul Modler and his hand gesture recognition system
... and his personal site: http://www.eva-twin-lilith.de/modler.htm

Here is a list of writings related to interactive computer music. (provided by iannis zannos)

Bartlette, C. H., David ; Bocko, Mark ; Velikic, Gordana. (2006). Effect of network latency on interactive musical performance. Music perception, 24(1), 49-61.
Bonardi, A. R., Francis. (2002). Composing an interactive virtual opera : The project. Leonardo, 35(2), 315-318.
Bukvic, I. I. (2002). RTMix - towards a standardised interactive electroacoustic art performance interface. Organized sound, 7(3), 275-286.
Desainte-Catherine, M. A., Antoine. (2005). Interactive scores : A model for specifying temporal relations between interactive and static events. Journal of new music research, 34(4), 361-374.
Guedes, C. (2005). Mapping movement to musical rhythm : A study in interactive dance. New York Univ., Ph.D. Dissertation.
Helmut, M. (2005). Virtual musical performance and improvisation on Internet2. Organised sound, 10(3), 201-207.
Kapur, A. W., Ge ; Davidson, Philip ; Cook, Perry R. (2005). Interactive network performance : A dream worth dreaming? Organised sound, 10(3), 209-219.
Kimura, M. (2003). Creative process and performance practice of interactive computer music : A performer's tale. Organized sound, 8(3), 289-296.
Lindström, E. C., Antonio ; Friberg, Anders ; Volpe, Gualtiero ; Rinman, Marie-Louise. (2005). Affect, attitude and evaluation of multisensory performances. Journal of new music research, 34(1), 69-86.
Modler, P. (1997). Interactive computer music systems and concepts of Gestalt. In Music, Gestalt, and computing (pp. 482-494). Berlin: Springer.
Momeni, A. (2005). Composing instruments : Inventing and performing with
generative computer-based instruments. Berkeley, Calif., Univ. of California, Berkeley, Ph.D. Thesis.
Ng, K. (2002). Sensing and mapping for interactive performance. Organised sound, 7(2), 191-200.
Rowe, R. (1993). Interactive music systems : machine listening and composing. Cambridge, Mass.: MIT Press.
Rowe, R. (1999). Key induction in the context of interactive performance. Music perception 17, 511-530.
Rowe, R. (2001). Machine musicianship. Cambridge, Mass.: MIT Press.
Rowe, R. (2005). Real time and unreal time : Expression in distributed performance. Journal of new music research, 34(1), 87-95.
Schachter, D. (2007). Towards new models for the construction of interactive electroacoustic music discourse. Organised sound, 12(1), 67-78.
Ungvary, T. K., Michael. (1998). Creative and interpretative processmilieu for live-computermusic with the sentograph. In Controlling creative processes in music (pp. 173-227). Frankfurt am Main: Lang.
Wetzel, D. B. (2006). A model for the conservation of interactive electroacoustic repertoire : Analysis, reconstruction, and performance in the face of technological obsolescence. Organised sound, 11(3), 273-284.
Winkler, T. (1998). Composing interactive music : techniques and ideas using Max. Cambridge, Mass.: MIT Press.
Zannos, I. (1999). Musiktechnologie und musikalische Kreativität mit digitalen Medien. In Jahrbuch des Staatlichen Instituts für Musikforschung (pp. 294-315). Mainz (etc.): Schott.